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Red One |
Panasonic AF 100 | Panasonic Varicam | Canon 5D | ||||
| Best Use | High end; highest quality production | Demanding production schedules; tight budgets & small crews | Demanding production schedules; tight budgets & small crews | Crash camera, very tight spaces, very low budgets | ||||
| Resolution & Picture Quality |
4K, highest available | 1080p, very good | 1080p, very good | 1080p, prone to moire, aliasing, may show "jello" movement on action shots | ||||
| Depth of Field | Same as 35MM motion picture cameras | Similar to 35MM motion picture cameras | Similar to 16MM motion picture cameras | Somewhat shallower than 35MM motion picture cameras | ||||
| Lenses | PL mount cinema lenses with all accessories including follow focus | Virtually any including PL mount cinema lenses with all accessories including follow focus | Video lenses with follow focus | Canon still lenses; very poor for follow focusing, some bodies have been modified to accept PL mount lenses | ||||
| Recording | Digital, long takes, vast storage | Digital, long takes, vast storage | 30 minute HD tapes | CF cards; limited to 12 minutes per take | ||||
| Handling | Like a traditional film camera, best with camera assistant, heavy when fully configured | Fastest available, more setups in a shoot day | Heavy compared to modern cameras | Awkward, difficult to use, many problems because primarily a still camera. Overheats and shuts down | ||||
| Variable Frame Rates | 1-120, but above 30 must be 720p | 12-60; instantly selectable | 1-60; easily selectable | No; 24 fps only | ||||
| Audio | Excellent | Excellent | Excellent | Very poor; requires outboard recorder for double system sound | ||||
| Post Production | Extensive color grading possible | Good color grading possible | Some color grading possible | Some color grading possible | ||||
| Still Frames | Stills from video rival dedicated still camera shots; suitable for large posters, billboards and magazine spreads | Good still frames from video suitable for web or magazines | Relatively small still frames from video for web or small sized magazine ads | Relatively small still frames from video; must leave video mode for high quality stills | ||||
| Connectivity | Professional inputs & outputs | Professional inputs & outputs | Professional inputs & outputs | No professional connectivity; amateur level connections | ||||
| Real-time Monitoring | High quality | High quality | High quality | Very low resolution only | ||||
| Ergonomics | A bit odd, but workable | Excellent; everything built-in and falls readily to hand. Perfect for "run & gun" | Standard ENG configuration | Very poor | ||||
| Aerials | Only with stabilized mount | Only with stabilized mount | Fine with any mount including Tyler nose mount | Only with stabilized mount | ||||
| Red One | Panasonic AF 100 | Panasonic Varicam | Canon 5D |